Gangsta Rap And West Coast Hip Hop
Many black rappersâincluding Ice-T and Sister Souljahâcontend that they are being unfairly singled out because their music reflects deep changes in society not being addressed anywhere else in the public forum. The white politicians, the artists complain, neither understand the music nor desire to hear what’s going on in the devastated communities that gave birth to the art form.
â , , 1992
Gangsta rap is a of hip hop that reflects the violent lifestyles of inner-city American black youths.Gangsta is a pronunciation of the word . The genre was pioneered in the mid-1980s by rappers such as and , and was popularized in the later part of the 1980s by groups like . In 1985 Schoolly D released “”, which is often regarded as the first gangsta rap song, which was followed by Ice-T’s “” in 1986. After the national attention and controversy that Ice-T and N.W.A created in the late 1980s and early 1990s, as well as the mainstreaming of in the mid-1990s, gangsta rap became the most commercially-lucrative subgenre of hip hop. Some gangsta rappers were known for mixing the political and social commentary of with the criminal elements and crime stories found in gangsta rap.
Jamaican Origins Of Outdoor Sound Systems
at many stations were limited by the ‘broadcast Day’ as special licenses were required to transmit at night. Those that had such licenses were heard far out to sea and in the Caribbean, where and were American DJs who were listened to at night from broadcast transmitters located in Miami, Florida. Jocko came to have an outsized influence on Jamaican Emcees during the ’50s as the R& B music played on the Miami stations was different from that played on , which re-broadcast and local music styles. In Jamaica, DJs would set up large roadside sound systems in towns and villages, playing music for informal gatherings, mostly folks who wandered down from country hills looking for excitement at the end of the week. There the DJs would allow ‘Toasts’ by an Emcee, which copied the style of the American DJs listened to on AM transistor radios. It was by this method that Jive talk, rapping and rhyming was transposed to the island and locally the style was transformed by ‘Jamaican lyricism’, or the local .
Although there were some early MCs that recorded solo projects of note, such as , , and , the frequency of solo artists did not increase until later with the rise of soloists with stage presence and drama, such as . Most early hip hop was dominated by groups where collaboration between the members was integral to the show. An example would be the early hip hop group , who performed in such a manner on in 1981.
Piano Cover By Dr Dre
Many spectators already called the Super Bowl LVI halftime show the greatest of all time, due to the appearance of several hip-hop legends like Dr. Dre, Snoop Dogg, 50 Cent, Eminem, Mary J. Blige, and Kendrick Lamar.
While the show featured some of the greatest tunes of each individual artist , the highlight for Tupac fans and piano fans was the short tribute that Dr. Dre paid to Tupac when he played the first beats of I Aint Mad at Cha.
Anderson Paak on the drums and Dre Dre with a piano tribute to Tupac Shakur at the Super Bowl Halftime show #IAintMadAtYa
Dallas Cowboys Collaboration
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Rise Of Alternative Hip Hop
, which was introduced in the 1980s and then declined, resurged in the early-mid 2000s with the rejuvenated interest in by the general public. The genre began to attain a place in the mainstream, due in part to the crossover success of artists such as , , and . OutKast’s 2003 album received high acclaim from music critics, and appealed to a wide range of listeners, being that it spanned numerous musical genres â including rap, rock, R& B, punk, jazz, indie, country, pop, electronica, and gospel. The album also spawned two number-one hit singles, and has been by selling 11 times by the for shipping more than 11 million units, becoming one of the best selling hip-hop albums of all-time. It also won a for at the , being only the second rap album to do so. Previously, alternative hip hop acts had attained much critical acclaim, but received relatively little exposure through radio and other media outlets during this time, alternative hip hop artists such as ,, , Gnarls Barkley, , and began to achieve significant recognition.
Glitch Hop And Wonky Music
Glitch hop and wonky music evolved following the rise of , and . Both glitch hop and wonky music frequently reflect the experimental nature of IDM and the heavy bass featured in dubstep songs. While trip hop has been described as being a distinct British upper-middle class take on hip-hop, glitch-hop and wonky music have much more stylistic diversity. Both genres are of influence. Glitch hop contains echoes of 1980s pop music, Indian , eclectic and . Los Angeles, London, and a number of other cities have become hot spots for these scenes, and underground scenes have developed across the world in smaller communities. Both genres often pay homage to older and more well established artists such as , and as well as independent hip hop producers like and .
Glitch hop is a fusion genre of hip hop and glitch music that originated in the early to mid-2000s in the United States and Europe. Musically, it is based on irregular, chaotic , glitchy and other typical sound effects used in glitch music, like skips. Glitch hop artists include , and . Wonky is a subgenre of hip hop that originated around 2008, but most notably in the United States and United Kingdom, and among international artists of the music label, under the influence of glitch hop and dubstep. Wonky music is of the same glitchy style as glitch hop, but it was specifically noted for its melodies, rich with “mid-range unstable synths”. Scotland has become one of the most prominent wonky scenes, with artists like and .
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Present: Trap And The Rise Of The Soundcloud Rap Scene
Trap music is a subgenre of Southern rap that originated in the early 1990s. It grew in the 2000s to become a mainstream sensation, eventually reaching ubiquity in the mid-late 2010s and frequently having songs top the hip hop charts. It is typified by or triple-time sub-divided , heavy from the drum machine, layered synthesizers and an overall dark, ominous or bleak atmosphere. The strong influence of the sound led to other artists within the genre to move towards the trap sound, with a notable example being and on their joint song, “”. Other artists not within the hip hop genre have also experimented with trap, such as “” by and “” by featuring .
Major artists to arise from the genre in the 2010s include , , , , , , , , , , , , , , , , , , , , , , among others. Female rappers , , , , , and also entered the mainstream. Trap artists that originated in the 2000s were able to recapture mainstream success in the 2010s with the rise of trap, including , and , becoming more successful in the latter part of their career than when they debuted. Trap producers to reach mainstream success include , , , and .
On July 17, 2017, reported that hip hop/ had usurped rock as the most consumed , becoming the most popular genre in music for the first time in U.S. history.
In the 2010s, dominated the mainstream.
In the late 2010s and early 2020s, became popular since emerged before his death. The 2020s decade began with as the first rapper to have a number-one entry.
Commercialization And New Directions
During the late 1990s, in the wake of the deaths of and , a new commercial sound emerged in the hip hop scene, sometimes referred to as the “bling era” ” rel=”nofollow”> Bling Bling”), “jiggy era” , or “shiny suit era” . Before the late 1990s, gangsta rap, while a huge-selling genre, had been regarded as well outside of the pop mainstream, committed to representing the experience of the inner-city and not “selling out” to the pop charts. However, the rise of Sean “Puff Daddy” Combs’s , propelled by the massive crossover success of Combs’s 1997 ensemble album , signaled a major stylistic change in gangsta rap , as it would become even more commercially successful and popularly accepted. Silky -styled hooks and production, more materialist subject matter, and samples of hit and pop songs from the 1970s and 1980s were the staples of this sound, which was showcased by producers such as Combs, , , , and . Also achieving similar levels of success at this time were and his label in Master P built up a roster of artists based out of New Orleans, and incorporated and influences in his music. The New Orleans upstart label was also gaining popularity during this time, with emerging artists such as , , , and .
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About The Key Of C Minor
I Ain’t Mad At Cha is written in the key of C Minor. According to the Theorytab database, it is the 2nd most popular key among Minor keys and the 8th most popular among all keys. Minor keys, along with major keys, are a common choice for popular music. The three most important chords, built off the 1st, 4th and 5th scale degrees are all minor chords .See the C Minor Cheat Sheet for popular chords, chord progressions, downloadable midi files and more!