Work With Other Artists
Thomas also programmed on David Bowie’s first two albums, the song “Son of My Father” by , ‘s , and Elton John’s . He also programmed and played Moog synthesiser on ‘s and the theme from by . In 1979, Thomas produced ‘ final album , as bandleader was looking for a more or oriented production style.
In 1985, Thomas played a critical part in achieving a worldwide breakthrough for the Australian band INXS. The band’s keyboardist and main songwriter stated that the band had “already finished the album, but Chris Thomas told us there was still no ‘hit’. We left the studio that night knowing we had one day left and we had to deliver ‘a hit’. Talk about pressure.” Thomas recalls he was worried that the standard of songs the band had laid down was not as strong as he wished. Thomas then went on to produce the follow up album, 1987’s , which became INXS’ most successful album of their career. He also produced 1990’s .
Thomas was a fundamental part of the Pretenders’ success, producing The Pretenders’ first album in 1980, the second album in 1981 and their third effort, , and all singles in between his work on Learning to Crawl earned him the nickname on the liner notes of the “fifth Pretender”. He returned on their 1994 success, , co-producing one track “I’m A Mother” with Ian Stanley.
Thomas has won Rolling Stone Critics “Producer of the Year”, Billboard “Producer of the Year”, plus and .
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Can You Feel The Love Tonight The Lion King Elton John
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Recording Sessions With Pink Floyd
In 1973, as Thomas’ work continued to attract interest, he took on mixing duties with Pink Floyd for their album. In his Mix interview, Thomas claimed he would finish work on the Pink Floyd album at midnight and drive to AIR Studios to do more work on ‘s album until 5 am. Thomas got involved after , , and could not agree on how the album should be mixed: Waters and Mason wanted a dry and clean mix making use of the non-musical elements, while Gilmour and Wright wanted the album to be mixed in a more subtle way and with a huge emphasis on echo. Wright denied that there were any violent arguments involved.
In a February 1993 interview, Gilmour described Thomas’ role on The Dark Side of the Moon as a referee for arguments between himself and Waters, stating that they “argued so much that it was suggested we get a third opinion. We were going to leave Chris to mix it on his own, with engineering. And of course on the first day I found out that Roger sneaked in there. So the second day I sneaked in there. And from then on, we both sat right at Chris’s shoulder, interfering. But luckily, Chris was more sympathetic to my point of view than he was to Roger’s.”
Gilmour’s recollections have been negated by Thomas: “There was no difference in opinion between them, I don’t remember Roger once saying that he wanted less echo. In fact, there were never any hints that they were later going to fall out. It was a very creative atmosphere. A lot of fun.”
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Recording Sessions With The Sex Pistols
In 1976, he was asked by to produce the . Thomas’ colleagues in the recording industry were horrified by his involvement with the Sex Pistols, particularly when he found himself producing the band at the same time as he was working with Paul McCartney. His work with the band also led to one of his most curious album credits. Co-producer explained:
During the media furore over the single , Thomas, Price and Sex Pistols’ vocalist were subject to a razor attack outside a pub in Highbury, London.
In 2007, Thomas produced a brand new studio recording of “” for use in the new video game . John Lydon, and all play on this new version, which was recorded in Los Angeles in July 2007. Neither of the original bass players, or where present .
Recording Sessions With The Beatles
Looking to break into production, Thomas wrote to producer seeking work and, in 1967, was employed as an assistant by , an independent production company, which had been founded by Martin and three other producers. Thomas was allowed to attend sessions at EMI Studios by and, in 1968, the Beatles. He was there for much of the recording of the Beatles’ . Midway through these sessions, Martin decided to take a holiday, and he proposed that Thomas continue working with the band in his absence. Thomas recalled: “I had just come back from holiday myself, and when I came in there was a little letter on the desk that said, “Dear Chris, Hope you had a nice holiday. I’m off on mine now. Make yourself available to The Beatles. and know you’re coming down.”
Thomas produced “” and “”. He also played keyboards on four songs from The White Album: on “”, on “”, and piano on “” and “”.
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Elton John Lion King Can You Feel The Love Tonight Slow Easy Piano Tutorial
Right Hand Notes: Watch Elton John/Lion King Can You Feel The Love Tonight slow and easy piano tutorial, and practice playing the following notes with your right hand.
INTRO:
Bb A F C D C F C A G A C
VERSE:
D E F G F CD E F G F D E F G F C A Bb A G A G D E F G F CD E F G F D E F C C A F DBb A G A G
CHORUS:
C C A G C A F DC C F Bb A GD E F C C C A F F D Bb A G A GC C A G C A F DC C F Bb A GD E F C C C A F F D Bb A G F F
OUTRO:
Bb A F C D C F C A G A C Bb A
Left Hand Notes: Watch Elton John/Lion King Can You Feel The Love Tonight easy piano tutorial, and practice playing the following notes with your left hand.
INTRO:
F E D C Bb A G A C
VERSE:
Bb A Bb A Bb A G CBb A Bb A Bb D G C
CHORUS:
F E D Bb F Bb B CBb A D C Bb G A Bb B CF E D Bb F Bb B CBb A D C Bb G A Bb C Bb F
OUTRO:
F E D C Bb A G A C F
I hope you enjoyed learning how to play the song, Can You Feel The Love Tonight from the movie, Lion King, originally done by Elton John. Thank you for learning with me, yours truly, Mantius Cazaubon. To take your playing to the next level, learn about the Piano For All course here. All the best to you.
About The Key Of B Major
Can You Feel the Love Tonight is written in the key of B Major. According to the Theorytab database, it is the 8th most popular key among Major keys and the 13rd most popular among all keys. Major keys, along with minor keys, are a common choice for popular songs. The three most important chords, built off the 1st, 4th and 5th scale degrees are all major chords .See the B Major Cheat Sheet for popular chords, chord progressions, downloadable midi files and more!
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Recording Sessions With Badfinger
Thomas produced a trio of albums for group on the tail end of their career, beginning with 1973’s , and 1974’s and albums.Ass was originally recorded with Badfinger producing, but the group later admitted they were incapable of producing themselves. Members and solicited Thomas’ help in cleaning up existing recordings and laying down new tracks. Although the succeeding album Badfinger retained Thomas from the outset and was considered by critics to be an improvement in production, neither album was successful in the marketplace.
For their third project together, Thomas held a meeting with the group and pleaded that they all concentrate on making the best record they could muster. It turned out that Wish You Were Here garnered the most positive critical response from periodicals, including magazine.
Can You Feel The Love Tonight
| “Can You Feel the Love Tonight” |
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| “Can You Feel the Love Tonight” |
“Can You Feel the Love Tonight” is a song from Disney’s 1994 animated film The Lion King composed by English musician Elton John with lyrics by Tim Rice. At the 67th Academy Awards in March 1995 it won the Academy Award for Best Original Song. The same year the song also won Elton John the Grammy Award for Best Male Pop Vocal Performance.
It was a chart hit in the UK, peaking at number 14 on the UK Singles Chart, and achieved even more success in the US, reaching number four on the Billboard Hot 100. The song was a number-one hit in Canada and France.
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International Spread And Crosspollination
Pop music has been dominated by the American and British , whose influence has made pop music something of an international monoculture, but most regions and countries have their own form of pop music, sometimes producing local versions of wider trends, and lending them local characteristics. Some of these trends have had a significant impact on the development of the genre.
The story of pop music is largely the story of the intertwining pop culture of the United States and the United Kingdom in the postwar era.
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According to Grove Music Online, “Western-derived pop styles, whether coexisting with or marginalizing distinctively local genres, have spread throughout the world and have come to constitute stylistic common denominators in global commercial music cultures”. Some non-Western countries, such as Japan, have developed a thriving pop music industry, most of which is devoted to Western-style pop. Japan has for several years produced a greater quantity of music than everywhere except the US. The spread of Western-style pop music has been interpreted variously as representing processes of Americanization, , modernization, creative appropriation, , or a more general process of .
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